Dissecting a Debut: Alif the Unseen by G. Willow Wilson

Dissecting a Debut is a feature that is similar to book reviews, but I want to focus exclusively on author debuts and consider why each book was embraced by the publishing community. My hope is that these posts will give the sprouting authors a bit more buzz, offer readers book suggestions much like any other review would, and perhaps most importantly, help other writers understand what’s grabbing the interest of publishers these days.

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Alif the Unseen by G. Willow Wilson

Genre: Contemporary Fantasy
Page count: 431
Publisher: Grove Press
ISBN: 9780802120205
Pub Date: 6/19/12
Agent: Warren Frazier
In Brief: Much has changed in the Persian Gulf since the fourteenth century, and even more since jinn and humans knowingly walked the same streets. Of course, the jinn still walk among the people, but as people are more concerned with their digital freedoms and the growing government efforts to crush them, the jinn go largely unseen. Alif, a young computer hacker, bridges the gap between myth and truth after a highborn girl breaks his heart. His typical teenage troubles lead to a national rebellion and a clash between worlds when he hires a Jinn vampire to protect him and the mysterious book his lover sent him.

A quote on the back cover noted that Alif is “a powerful reminder of how far fantasy has come since Tolkien.” — Jack Womack author of Random Acts of Senseless Violence.

Some of the best fantasy I’ve read in the past year has been set outside the familiar Middle Earth territory. At one time, I loved the harsh winds of the Nordic rugged terrains and the forests cursed or enchanted by ancient celtic mythical creatures. I embraced it because it took me to a world beyond my own, a world where anything was possible. While it’s still fun to read, it doesn’t have the same foreign appeal that it once did.

Wilson took the fantastic elements that I love — ancient myths, magic, a fine line between reality and imagination — and built them into an entirely new setting, a setting that’s real and contemporary, but so far from home that I could not imagine it without Alif as a guide. This book made me think about why a woman chooses to wear a veil and why Western people would immerse themselves in an Eastern culture. It included enough familiar references, like The Golden Compass and the story of Aladdin and the lamp, that encouraged me to find the common denominator between the cultures even though their mythical creatures were strange ethereal images flashing between beast, monster and man.

While the story takes on epic struggles, from a high security prison where criminals starve to death to a sideways world where demons lurk and wraiths have computer troubles, it all begins with a boy who loves a girl, but can’t have her. Alif is just another victim of unrequited love, a simple and true story. Perhaps, as in many fantasies with higher beings, that’s why the jinn decided to protect him.

The deft blending of familiar and foreign wrapped me up into this tale, and left me wanting more. Honestly, when left with the choice to read about orcs or a jinn called Vikram the Vampire, who wouldn’t be more curious about the latter?